Contra Diction: Speech Against Itself
Lawrence Abu Hamdan
Haus der Kunst der Welt, Solomon R. Guggenheim Museum, New York, New Museum of Contemporary Art, Kunst Halle Sankt Gallen
5/4/2016

Contra Diction: Speech Against Itself

In Contra Diction: Speech Against Itself, Abu Hamdan seeks to explore the ways in which our right to silence can be preserved in today’s all-hearing and all-speaking society. In his reappraisal of silence and its politics, the artist looks to the linguistics of Taqiyya, an old piece of Islamic jurisprudence practiced only by esoteric minorities that allows a believing individual to deny their faith or commit otherwise illegal acts if they are at risk of persecution or in a condition of statelessness.

By looking into stories of alleged mass conversions of the Druze minority in northern Syria, Abu Hamdan indicates how such minor speech acts can help us reappraise the precision of speaking, the many ways of remaining silent, and the inherently unfaithful nature of the voice. The work is realized as a two-channel video installation (also sometimes as a live performance) with a teleprompter, the speech apparatus from which the political lie often originates. Formally, as a video playback device, it symbolizes both duplicity and transparency.

The installation of Contra Diction: Speech Against Itself (2015) was commissioned by Kunst Halle Sankt Gallen, Switzerland (2015).

Collaborators

Kunst Halle Sankt Gallen

Contra Diction: Speech Against Itself: تقيه (Taqiyya) The Right to Duplicity

The works of Lawrence Abu Hamdan (*1985 in Amman/JOR, lives and works in London and Beirut) often explore the contemporary politics of listening and have taken the form of audiovisual installations, performances, graphic works, photography, islamic sermons, cassette tape compositions, texts, forensic audio analysis, advocacy, expert testimony, and most recently potato chip packets.

In his largest solo exhibition so far «تقيه (Taqiyya) –The Right to Duplicity»at Kunst Halle Sankt Gallen, Lawrence Abu Hamdan examines the voice as a fundamental political instrument, the ways in whichit constitutestruth and the place of lying in todays all hearing all speaking world. A new two channel video installation Contra Diction (Speech Against Itself) becomes the centre piece of this show and uses the theological, legal, linguistic and philosophical concept of Taqiyya as the thread that ties together the diverse range of works presented here. Taqiyyais an obscure component of Islamic jurisprudence practised by esoteric Islamic minorities and particularly by the religious community of the Druze in Palestine, Syria and Israel. The principle of Taqiyya, which is approximately comparable to the western concept of diplomatic immunity, allows members of a community to deny their faith or even to commit other illegal acts while subject to persecution or statelessness. Statements made under Taqiyya find themselves within and outside the law at the same time. Between truth and falsehood Taqiyya thus installs itself as the legal principle that allows to inhabit those spaces inbetween.

Abu Hamdan's work shown in his St. Gallen exhibition incorporates a wider range of strategies to lay bare the fact, that although freedom of speech may persist, the conventions of listening have certainly shifted. The all-hearing state apparatus, which forms the basis of Abu Hamdan’s deliberations, promotes a policy of total transparency which perceives secrecy as the greatest threat to democracy. While radical freedom of speech has come to be a guarantee of a just society, individuals seem to be permanently urged to confess themselves and to bear witness. Between the right to speak and claim for silence Abu Hamdan examines a policy of audibility which increasingly demands new concepts of speech.

Lawrence Abu Hamdan unfolds the underlying concept of Taqiyya in a variety of contexts and aesthetic practises whether through the work Conflicted Phonemes (2012) – a cartography of accents that exposes the practices of asylum policies, that rely on the enunciation of a single syllable as proof of origin and citizenship – or by exhibiting a private collection of dissimulating colonial paintings in his installation Double-Take: Officer Leader of the Chasseurs Syrian Revolution Commanding a Charge (2014). Abu Hamdan seeks to disclose the inherently unfaithful nature of testimony and the impossibility of Western truth production.

Duplicity is the motif Lawrence Abu Hamdan brings us to see and hear in multifaceted ways between documentary and staging, between traditional speech acts and the most recent voice analysis technologies. In terms of Taqiyya he opens up a new understanding of speech, of the unfaithful nature of the voice and its relationship to truth–and in the process questions the fundamental conditions under which we speak, lie or remain silent.

Host organizations Kunst Halle Sankt Gallen

Exhibition Media

Contra Diction : Speech Against Itself, 2015, Video, teleprompter, Variable dimensions, Ed. 3 + 2 AP. Installation view Kunst Halle Sankt Gallen, Switzerland, 2015

Owners: Lawrence Abu Hamdan, Kunst Halle Sankt Gallen

Contra Diction : Speech Against Itself, 2015, Video, teleprompter, Variable dimensions, Ed. 3 + 2 AP. Installation view Kunst Halle Sankt Gallen, Switzerland, 2015

Owners: Lawrence Abu Hamdan, Kunst Halle Sankt Gallen

Contra Diction : Speech Against Itself, 2015, Video, teleprompter, Variable dimensions, Ed. 3 + 2 AP

Owners: Lawrence Abu Hamdan, Kunst Halle Sankt Gallen

Contra Diction : Speech Against Itself, 2015, Video, teleprompter, Variable dimensions, Ed. 3 + 2 AP

Owners: Lawrence Abu Hamdan, Kunst Halle Sankt Gallen

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