Read me that part a-gain, where I disin-herit everybody

Citations

1. https://www.bkmag.com/2014/10/16/crossing-brooklyn-gordon-hall-read-me-that-part-a-gain-where-i-disin-herit-everybody/ 10/16/2014 Phillip Pantuso, "Crossing Brooklyn: Gordon Hall, “Read me that part a-gain, where I disin-herit everybody”, Brooklyn Magazine, 16 Oct 2014.

2. https://outland.art/performing-lectures/ 4/16/2024 Mindy Seu, "Performing Lectures" Outland, 16 April 2024.

3. https://www.wnyc.org/story/art-made-brooklyn/ 10/5/2014 Gisele Regatao, "Horses, Masks, Speeches and Other Art Made in Brooklyn," WNYC News, 5 Oct 2014.

4. https://doi.org/10.1017/S1054204322000314 9/1/2022 Sophie Seita, "Playing with Knowledge: On Lecture Performances" TDR Vol. 66:3 (September 2022), pp. 78-95..

5. https://drive.google.com/file/d/1HclSPOXMAgrd_Xt5BilImObf0c2k0BCi/view 1/1/1970 Gordon Hall, "Read me that part a-gain, where I dis-inherit everybody" in Over-Belief: Collected Writings 2011-2018, ed. Roya Amirsoleymani and Kristan Kennedy (Portland, OR: PICA, 2019), 38-41..

   could be asset

6. https://empac.rpi.edu/program/curatorial/residencies/2013/read-me-part-gain-where-i-disin-herit-everybody

   Hall worked in residence at EMPAC conducting research on the history of lecture-performances, from the tradition of the soapbox lecture to the relationship between contemporary artists Robert Morris and Simone Forti. The culmination of Hall’s research was a presentation that used sculptural objects, sound, and projected image, titled “Read me that part a-gain, where I disinherit everybody” after a line from composer John Cage’s 1959 Lecture on Nothing. Hall’s lecture-performance offered a succinct history of the form.